Kerrie Davies
'An eye in the eye of the hurricane': Fire and fury, immersion and ethics in political literary journalism
One of the first reviews of Fire and fury (Wolff 2018) appeared via Twitter, '@realDonaldTrump: I authorized zero access to White House (actually turned him down many times) for author of phony book!' President Trump's emphasis on access highlights the literary journalism method of immersion in the controversial book's construction and ethics. Immersion requires a journalist to spend time with a subject, 'eating with them, traveling with them, breathing their air' (Conover 2016: 11). This paper discusses Wolff's immersive techniques alongside Gay Talese's feature 'Frank Sinatra has a cold' (1966) together with the work of Joe McGinniss (1969) and Hunter S. Thompson (1973). It critiques Wolff's relationships with key political strategists within the immersive literary journalism framework that requires a consideration of a 'special set of ethical questions' (Conover 2016: 60). Whilst Wolff maintains he adopted an observer immersive stance and removed himself from the text, he does not seem to have followed Talese's rigour in verification with all minor characters (Green 2013), pivotally the former British Prime Minister, Tony Blair. This, combined with non-disclosure of participation in key scenes and the volatile, reactive 'fake news' environment of the White House, resulted in suggestions of ethical transgressions in the wider media as well as those quoted in the book
Keywords: Trump, immersion, literary journalism, Hunter S. Thompson, Michael Wolff
References
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Note on the contributor
Dr Kerrie Davies is a lecturer at the School of the Arts and Media, UNSW, Sydney, Australia, and the author of A wife's heart (2017), a work of auto/biography about poet Henry Lawson's wife Bertha Lawson.
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